![]() They were more popular than compact cassettes through the late 60s, partially due to their inclusion in some factory automotive stereo systems. In the mid '60s, blank and pre-recorded cassettes came to market.Īround the same time, early versions of 8-track tape cartridges were released, composed of a single reel of magnetic tape. In the late '50s, the RCA Victor produced the first tape cartridge, but magnetic tape-based cassettes were not popular until Phillips developed a version using narrower tape in a smaller form factor, known as Compact Cassette. Current albums and reissues both go for hundreds of dollars. The entry level, even for new releases on ¼-inch tape, is steep. Although the format is mostly obsolete, partially because loading and storing media is less than convenient, the resale market for vintage units is healthy, and some boutique companies offer brand new R2R players. Reel to Reel Tape PlayersĪround the 1960s, audiophiles began adding reel to reel players to their home systems. Keep in mind that vintage machines will require regular maintenance. Some examples of open-reel tape recorders that can be found at reasonable prices include the Akai models and the Sony TC line. And the earliest samples were created by building tape loops. Many effects heard on classic albums, such as those by The Beatles and Slowdive, were created by physically manipulating tape. ![]() The image of a reel to reel recorder has become synonymous with the studio: two large metal circles rotating near the top corners of a large rectangle.Īlthough never really popular with consumers, collectors and producers still value these devices for their warmth, flexibility, and nostalgia. Engineers capture sound on analog tape using reel to reel recorders. Reel to Reel Recordersįor decades, tape was the standard medium for recording anything. Open reel tape has been produced at various sizes and speeds, as well as digital formats before solid state drives became more practical. Many musicians still record to analog tape, and even mainstream artists are again releasing music on cassettes. The optional LA-322 kit adds balanced ports to the 322.Tape Decks/Reel to Reel Players For Sale on ReverbĪlthough magnetic tape technology is decades old, it’s never gone away. The 322 also offers Return To Zero function for easier cueing, ☑0% pitch control to make changes in speed, headphone output with level control, and a wired remote as standard. This makes it easy for creating dual masters, or saving inputs on a mixer. If the situation calls for a common I/O structure, you can switch it easily on the front panel. This is perfect for recording a meeting and playing audio sources back, or playing music from tape and recording a performance on top of it. The 322can be set up so that one deck plays a tape while the other records an external source. Like the 302, the 322 offers independent audio input and output for each well, allowing total control over each deck. This is ideal for board rooms, lecture halls, or advanced home theater systems, and more. This makes the 322 the ideal machine for logging or long-form recording.Īn RS-232 port on the back of the 322 allows serial control of the deck from the various control systems on the market. This minimizes the amount of time lost when switching sides, since the deck won’t have to pass through the leader to the end of the reel, then back to the recordable tape again. When the tape approaches the leader tape from the cassette, it will immediately flip the tape. The 322 transports use an optical sensor for detecting leader on tapes. The result is a deck that fits into a wide variety of applications, from music studios, boardrooms, house of worship, live venues, and more. The 322 deck was built on Tascam’s existing technology, adding features that contractors have specifically requested.
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